ALL.

Even though they have been ignored a good deal of the time they have been together, and even though most adults usually smirk at me when I profess a great admiration for this band, I still say that the band All is really good, and a very unique sounding band that has been playing together in one form or another since the late eighties.

The band has always mysteriously had the curse of not being the Descendents, even though it has been the same three people playing the instruments since 1987, minus Milo Aukerman. For whatever reason, no matter how good All’s material can be, they will always be seen as somewhat of a lesser band. Not to say that I have loved every single ALL release, but I couldn’t say the same thing about the Descendents, either. So this is sort of an essay about why I actually prefer All these days to the Descendents:
1. They all write songs. Tons of songs. Songs songs and more songs. I seem to prefer in most cases the songs that come from drummer and guiding light Bill Stevenson. I always wonder why he hasn’t compiled a record of all of his songs. Almost all of them have been very good. And the fact that his songwriting has matured lyrically as his life has gone on is very refreshing. The last Descendents album “Cool To Be You” just didn’t cut it for me at all-except for Bill’s songs in most cases. Lyrically and musically they were (as in most occasions) ahead of his bandmates. Who else can tackle the subject matter of losing most of the freedom that you have when you become a parent, and how the relationship can suffer as a result? Who else has written songs about raising your wife’s little girl from a previous relationship? I can’t think of any. And some of Bill’s “break up” songs are uniquely his own, like “Scary Sad” of the heartbreaking (and way too relatable) “Make Believe”. I don’t want to slight the contributions of bassist Karl Alvarez in the process of praising Stevenson. A lot of his songs have too been very good. All’s latest singer Chad Price as well as previous singer Scott Reynolds have both also contributed great songs to the All cannon too; I just seem to always enjoy Stevenson’s songs a little bit more.
2. Musically, these three men have created a distinctive sound that is more or less theirs and has always been, no matter what trends have come and gone. And no matter what has happened since they all started playing together. Just like bands like Voi Vod , King’s X, AC/DC or Black Flag, I can tell that who it is instantly. I can’t say that about a huge number of other bands still working. Karl Alvarez is an extremely amazing bassist who can sing all over the whole thing. Guitarist Stephen Egerton is a criminally underrated guitarist. He plays sort of like someone who can successfully fuse the fury and solos of Greg Ginn with the oddball chords and tone of the late Denis D’Amour of Voi Vod. If you listen to almost any of All’s more experimental material his power chords are always strange and odd. Some people have even compared some of it to Van Halen, which in the context of what they call “pop punk” is a pretty neat thing. He knows what he is doing. Both Alvarez and Egerton seem so overlooked that I just don’t get it. Drummer Bill Stevenson isn’t. He is regarded as one of the most influential drummers to ever come out of punk rock. Mechanically tight and all over the place, his playing is for sure one of my biggest influences. He is always being referenced by plenty of other good drummers, from Dale Crover to Dave Grohl. He was (I think) eighteen years old when the first Descendents album was released on Mike Watt’s New Alliance label in 1982. It is nuts to think that his playing and style were so well defined even at that point. Fuse all of this together amongst the three members and you have a unique sound that is still unique to this very day. They don’t get the credit they should.
3. No matter who sings for them, it is good. From original All frontman Dave Smalley to fan favorite Scott Reynolds (who has returned for a spell with some upcoming shows) to Chad Price, I have enjoyed each of these singers and their contributions.
So that is three off the top of my head reasons. I couldn’t say that you should run out and buy every single record. Maybe you should, though. I did. Some of their records are better than others in my opinion and I think everyone who likes All has their faves, but to me the essential ones are the following:
ALLROY’S REVENGE: This was the first record they released with Scott Reynolds, and by far the best one. It is the most cohesive and is packed full of songs that are every bit as good as any Descendents album. There isn’t a dud in the bunch, from the cartoony opening instrumental all the way through “No Traffic”, this is the album that still to me best defines All. But wait a minute..
PROBLEMATIC: The third one with third singer Chad Price, this is a very close second. As the members of the band get older, the lyrical range expands way beyond fart jokes and obsessions with having sex with girls and delves into different territory. Musically, everyone contributes and the playing and production is razor sharp and white hot. Really good.
I would get these two above all of the others. Every release has stuff that I like, though. ALLROY SAVES should be my favorite, as I prefer the band when they go into oddball mode over thrashing out another punk rock song. But for some reason some of it leaves me sort of cold. Still has some great stuff. You can say the same for PERCOLATER. Not that you should stay away from anything but you could maybe pass on MASS NERDER, which is a favorite of the “warped fest” crowd and their debut album, ALLROY SEZ.. It is the only album they did with Smalley but better things were around the corner.
Band activity is hampered by reality: relationships, kids, distance and other projects. Every one is involved in other projects and doing other things. For at least six years, there has been a proposed release of mainly the instrumental oddball side of the band. I am REALLY interested in that, but for whatever reason, nothing has happened. I wouldn’t hold my breath for a new release any time soon but maybe one day it’ll happen. I’d like to hear one more All record, in one form or another.
In the meantime, check out some of All’s records.

JANICE AND FLOYD: MY GIRLFRIEND'S PARENTS.

This might be in the top five of anything I have ever drawn. It reminded me of the realization when children become the parents and vice versa.

DREAMS.

WHY BRIAN ENO QUIT ROXY MUSIC!

true story!

BIG BOYS.

i miss this band.

CANADA AND ME.

APRIL WINE: "Our drummer used to work at Bob Evans..he can put the sugar in your coffee!"

When I was a little kid, I remember not having too much of an opinion about Canada. Except I sure liked the way the country looked on a map. It was huge! Look at all of those islands! Plus it seemed weird enough and isolated enough to enter my consciousness of odd places I would like to go to, right up there with Australia, New Zealand, Iceland or the Soviet Union. So that is pretty much what I thought of when I thought of Canada as a little kid. By the time I was bitten by the rock and roll bug things were a little bit different. I still wasn’t aware of anything being Canadian but a few things stood out and slowly started to make sense. And it was virtually two things: The band Rush and the comedy show SCTV.

As maybe two of you reading this know, I think SCTV is still the best comedy show that ever was. Most of the cast members were Canadian, except for Joe Flaherty and Andrea Martin. These are still some of the funniest people ever gathered under one roof: John Candy, Catherine O Hara, Rick Moranis, Eugene Levy, Martin Short and Dave Thomas. Oh how I laughed and laughed and the funny thing is, I still laugh. A lot of the humor seemed more cerebral and slightly less “yahoo” based, if you know what I mean. Was there a comedic Canadian sensibility going on that I didn’t know about? Looking back, I don’t think so. The show never really did a whole lot of Canadian content as far as what I can remember. There was a parody of a Canadian movie about a kid who played hockey (John Candy in the prime role, a funny performance I might add). It was a pretty dry parody about something that I knew nothing about and yet I still thought it was hilarious.

What SCTV is most famous for is the dumbest thing that they did and the one thing that caught on in the states in 1982 or so. it was Rick Moranis and Dave Thomas doing their Bob and Doug Mackenzie “Great White North” characters, and the thing was huge. I clearly remember that. It was just a stereotypical view of Canada and it for better or for worse is what most people thought about when they thought about Canada.

The band Rush was the other thing that introduced me to Canada. Again, there was nothing really “Canadian” about the music they were doing: impeccably played proggish hard rock with wailing banshee vocals. And yet still..Canadians playing some really kick ass music! They seemed really serious. The rock press always hated them. Creem magazine, a influential and important rock magazine from the seventies REALLY hated them. I admit that they were a hard sell and seemed devoid of all the humor and sex that rock music often has, but if you have heard Geddy Lee sing “In The Mood”, you’d understand why it was best that they stuck to singing about Passages to Bankok and Cinderella Men. Years later, I saw some interview footage of all three of the members of Rush and was delighted to learn what I had suspected all along: These guys are a bunch of goofy nerds! Even Neil Peart! Thanks to SCTV and Rush, a few other things started to slip on by as far as my understanding a little of Canada.

So in the early eighties I started to realize who was Canadian and who wasn’t. I thought that Anne Murray was kind of hot in a manly sort of way when I spied those early seventies album covers back when I was a little kid. Turns out she is Canadian. Neil Young is one of my favorite songwriters on earth. Figured out he is Canadian. Bachman Turner Overdrive were some of the ugliest dudes I had ever seen, and they were Canadian. I already figured out that Triumph was Canadian due to the fact that they were always being called “a poor man’s Rush” and I thought that they really stunk. April Wine was a band that I also remember liking and lo and behold they were also Canadian, boasting a three guitar lineup and a huge bulky bald drummer named Jerry. A lot of the cover art of these earlier Canadian hard rock bands also seemed to be done really badly, like the bands had maybe a day to get it all together.

Eventually punk rock happened, and so my awareness of Canada expanded. I had lots of Canadian pen pals in the mid to late eighties and a lot of real kick ass bands came out of Canada. Yes, there was DOA. They are the band that everyone probably thinks of first but by the time I was aware of them the still living even now Chuck Biscuits was already in the Circle Jerks and DOA’s best days were behind them. The Neos from Victoria British Columbia were this weird little secret. I had a few Teenage Head records and liked them, especially “Frantic City”. Beyond Possession stayed at my house once, liked hockey and seemed baffled by gay people. The Stretch Marks were a great live band who put out a great seven inch and a shitty album. The band SNFU put on some of the best shows I have ever seen and even let me tag along with them for a week on one of their tours in 1985.

SNFU were quite popular in the states. My favorite lineup was when they had their big hulking death rock bass player Buck and the drummer Jon Card. They seemed to play in Raleigh on three occasions. We cooked them a big spaghetti dinner for then once back when it snowed a lot in the South when I lived with Mike Dean. They were real cool. Some of the locals were baffled by them. You’d ask singer Chi Pig or the Belke Brothers a question and you would get an answer, but it would be like talking to a Rubiks Cube that you are trying to understand. I know that doesn’t make sense, but still; why were we baffled by these Canadians and their straight forward nature? What is it about Canada that seems so pleasantly odd to me? Is there perhaps a small tweak in the program that has Canadians looking at things a little bit different then us stupid Americans? Well, I have a theory. It is probably full of shit, and not true at all, and I am sure somebody will let me know this, but hear me out:

My theory about Canada is that they have slipped by everyone. By seeming to be really benign and unassuming, they are left alone by EVERYONE! Not only that, I get this romantic impression that there just might be a wee bit more common sense up there, like “of course you wouldn’t hate a person because of their skin color..that just doesn’t make sense, you know eh?” Common sense and appearing to be benign so that you could be left alone..it seems like a great combination.

I also didn’t mention the band Voi Vod, who of course as everyone with any intelligence knows, is one of the best bands to ever exist. And the Band is also one of the greatest bands to walk the earth. So Canada alone is tops in my book for giving the world Voi Vod, SCTV, The Band and Neil Young. I f you told me I had to live the rest of my life with only these four things as music or entertainment I could easily do it, no problem.

Anyways, I finally had my chance to visit Canada a few years ago when Double Negative was invited by the Toronto band Fucked Up to play a festival that some friends of theirs were putting on. So I was excited needless to say. I would be going to the fatherland!

We were there for four days and I wasn’t let down at all. Toronto was a majestic big city that was real clean. Everyone seemed real nice. It was seemingly asshole-free. The donuts were good. The food was great. They put sugar in your coffee for you, which was an interesting concept for me to grab on to. The rest of the band was convinced I soon would be moving to Canada. Our host was a friendly yet cantankerous fellow named Gabby who was really cool and just let us stay at his house for no reason at all. He was very opinionated and funny and pulled no punches at all with what he thought.Luckily he showed his sensitive side to me when we went to a Asian supermarket by the water and we sat outside talking about all of the “sissy” music that we enjoyed. All of the punk rock types we met were all real sweethearts. We were treated very nice and were paid extremely well. I want to go back there. Hopefully one day I will.

Obviously my theories and thoughts on Canada, especially based on a big handful of records and some old comedy show from years ago and a four day visit isn’t a whole lot to go on, but if you Canadians out there reading this know how wrong I am, please don’t let me know. Some fantasies are good ones.



Anne Murray: hubba hubba

DAYDREAM NATION...a work in progress...

Double Negative is currently working on our follow up album to our first one right now. I feel really excited. Everybody is really excited and in good spirits. We did basic tracks with Jennifer Thomas and everything went so well that these proposed "demos" are now going to be our actual album. Jennifer really did an amazing job and I think from what I have heard, it is her best sounding stuff that she has done. Justin our bass player ended up doing some mixing and he is also doing a real kick ass job. Kevin stepped up to the plate and seemingly at the very last minute laid it all down vocal wise. And Scott is doing some really neat guitar stuff, sort of like Chuck Berry meeting Piggy from Voi Vod filtered through Greg Ginn's tone on "Jealous Again". Kudos to everyone.

You know that feeling when, if you play music, you finally hear what you are doing after you record it? And you like it as a fan? It is kind of like that, kind of a teenage feeling. You are impressed with yourself..not that any of us are like that, it is more like.."man..I can't believe that is us!"

That is what has been going on, and it is really cool I have to say. i had chills listening to a few of these songs and that is not something that has happened to me in years. Let me stress...YEARS.

So you know..that is a good thing.


So anyways, "Daydream Nation" will be released on Sorry State Records next year.